Update: BalletMet's Commitment to Anti-Racism and Equity As part of our continued efforts to make direct and enduring progress combating racial inequality within our organization and community, we’ve designated a...
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A Message From BalletMet Leadership We are sad to announce that due to continued uncertainty around COVID-19 and the severe limitations on crowds in theatres, we have made the difficult…
From reruns of favorite TV shows to interesting podcasts and YouTube workouts, our dancers have been watching, reading and listening to a variety of content while they stay at home….
Ever since we revealed our first promotional photo for Edwaard Liang’s ALICE, the response has been clear: Tell us more about these costumes! And it’s no wonder. The costumes are…
What it’s like to audition for and perform the role of Clara in The Nutcracker has been well documented, especially in this fun Justice YouTube series. But Fritz often flies…
Dancer Rachael Parini is featured on BalletMet’s 90-foot billboard along High Street in Downtown Columbus. Below, she shares her thoughts on being represented as a black ballet dancer. by Rachael…
International choreographer Annabelle Lopez Ochoa has been celebrated around the world as a multifaceted artist with a unique and compelling voice. In 2003, after 12 years as a professional dancer,…
BalletMet’s five-week summer intensive for professionally aspiring dancers kicks off Monday, July 1. More than 100 students from all over the country will join us this year to take rigorous…
From the glass slipper to the ball gown, the costumes of Cinderella are an essential aspect of the production’s storytelling. Our costumes were purchased, in part, from Washington Ballet. Originally…
Often referred to as ballet’s most beloved romantic comedy, Don Quixote, based on Miguel de Cervantes’ definitive novel, is a heart-warming story of one erratic and unflinching man’s quest for…