Giselle

February 11-19, 2022 | Davidson Theatre

Run Time: Approx. 1 hr 51 mins
Choreography: Edwaard Liang
Music: Adolphe Adam

Witness a love story that has captivated hearts for centuries with Edwaard Liang’s Giselle. This timeless ballet, set to Adolphe Adam’s score, features classical elements as it tells the haunting tale of a peasant girl’s quest for love. Liang’s Giselle reimagines and reinvigorates this beloved work, leaving audiences inspired and awed.

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Giselle Costume Creation

Show Dates

Friday, February 11, 2022
8:00PM

Saturday, February 12, 2022
2:00PM

Saturday, February 12, 2022
8:00PM

Sunday, February 13, 2022
2:00PM

Thursday, February 17, 2022
7:30PM

Friday, February 18, 2022
8:00PM

Saturday, February 19, 2022
8:00PM

Dancers Explain Giselle

Meet the Characters

Giselle

Her gentle nature, beauty and kindness capture the hearts of all who meet her. Upon discovering her lover, Loys, has deceived her, Giselle dances until her weak heart ultimately stops beating, dying from shock. In death, Giselle must choose to wander the earth each night with the vengeful Wilis or instead find peace in the power of forgiveness.

Albrecht

Although engaged to a noblewoman, Albrecht disguises himself as a peasant named Loys to win the heart of the beautiful Giselle. While visiting Giselle’s grave late one night, Albrecht encounters the Wilis and Giselle’s spirit, where a struggle between revenge and forgiveness ensues.

Hilarion

A gamekeeper from the village, Hilarion is consumed by his love for Giselle. Feeling betrayed when he learns that Giselle is in love with the suspicious Loys, Hilarion becomes determined to uncover the true identity of Giselle’s new lover.

Myrtha and the Wilis

The Queen of the Wilis, Myrtha is as regal as she is vengeful. Myrtha recruits Giselle’s spirit to join the Wilis, a group of spirits betrayed by their lovers who roam the Earth from dusk to dawn, forcing all who encounter them to dance to their deaths.

Great storytelling, world-class dancing and an updated look that make it worth reserving a ticket for.

Arts Air

FAQ

WHERE DO I PARK?

There are parking garages near the Ohio and the Capitol theaters, as well as limited metered street parking (most of which is free after 6 pm and on Sundays).

Ohio Statehouse Parking Garage
$5 during events
Enter from westbound Broad Street or Third Street.

Riffe Center Parking Garage
$5 during events
Enter from Front Street. Take the elevators to the third floor and proceed along the hall to the Davidson Theatre. (For the Box Office or Will Call, descend the escalators to the first floor.)

Downtown traffic can be heavy, so please plan ahead. We recommend arriving 20-30 minutes early to park, find your seat, explore the program and relax before the performance. Audience members who arrive late may not be seated until intermission.

WHAT DO I WEAR?

This is our most-asked question, and the answer is: You probably won’t feel out of place no matter what you wear. If you want to wear jeans, go for it—we promise you won’t be alone. If you want to dress up, feel free. Many others do, too. We don’t see as much formal-wear in the theater as we once did, though it wouldn’t be unusual to see a tux or a gown at a performance. Basically, anything goes.

DO THE DANCERS TALK?

No, dancers express the story or meaning through the movement. In some story ballets, dancers will use pantomime (exaggerated movements) to help you understand what’s happening. If you see a ballet with pantomime, head to the lobby, where we’ll have more information and guidance. If you ever struggle to follow along, feel free to chat with a BalletMet staff member in the lobby who will happily answer any questions you have.

WHEN DO I CLAP?

If you are wowed by something you just saw, please do applaud. At BalletMet, we love to hear clapping. It’s uplifting to those performing, as they can often feel your excitement and energy on stage. So applaud whenever you see fit! Note: Not every ballet company feels this way, so keep that in mind if you happen to be at another company’s performance.