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Asian American and Pacific Islander Heritage Month

Spotlight: BalletMet 2 Dancer Tristan Toy

Tristan Toy started dancing at the age of nine at Dance Arts Center under Berle Davis and Jayne Zaban while doing summer intensives at Joffrey Ballet with full scholarships. He later attended Ruth Asawa School of the Arts’ Dance Program under Elvia Marta and Andrea Hinman while dancing with Academy of Ballet San Francisco under Zory Karah and Richard Gibson.

He took part in Boston Ballet School’s inaugural Post Graduate Program under Peter Stark and Kathleen Mitchell. Recently he participated in BalletUnleashed’s first creative project “Switchback”, working with choreographer Cathy Marston to create a solo.

Tristan started his professional career in 2021 with BalletMet 2.

What inspired you to become a dancer?

I was inspired to become a dancer because I envied how the dancers were able to move so beautifully while looking as if it were the easiest thing in the world.

What is your favorite role you have performed/career highlight thus far?

I would say my favorite role that I’ve performed so far would be one of the Trepak dancers in the Nutcracker!

Is there a dream role that you haven’t had yet, but hope to?

I wouldn’t say there’s any role in particular that is a dream for me, but I love a role where the character has a fun personality!

If you weren’t a dancer, what do you think you would you be doing?

If I weren’t a dancer, I’d probably be a college student. I’m not sure what I’d be studying but it would definitely be something to do with art in one way or another.

Thanks for sharing your story with us Tristan! We look forward to watching you dance!

Spotlight: Academy Student Elizabeth Szeto

 

Elizabeth is a student in our academy and has been dancing with BalletMet for 10 years.

Elizabeth, what has made you stick with dancing?

Seeing the professional and pre-professional dancers, and seeing their passion translate through dance makes me want to be just as good as them.

What dance styles have you studied?

I have learned ballet, modern, jazz, character, and flamenco.

Which style is your favorite?

Ballet is my favorite dance style that I have learned so far.

Have you ever forgotten dance steps during a performance? If so, what happened?

Luckily, I have not forgotten any steps so far, but if I had then I would stay in character, stay calm, and look at other people as reference.

What is your favorite part about dancing with BalletMet?

I love being able to dance and perform on stage.

What is your favorite dance highlight thus far?

My favorite dance highlight so far was the 2019 Nutcracker, because I was in a cast with my best friends and I made many great memories that year.

Outside of dance, what are some of your favorite things to do or places to go?

In my free time, I like walking around the zoo and on vacation my family and I like to visit different museums.

If you like music, what music are you listening to right now?

All kinds of music but mostly pop music.

Thank you Elizabeth for sharing your story. We can’t wait to see what you accomplish!

Spotlight: Artistic Director Edwaard Liang
Edwaard Liang teaches students during Summer Intensive Class  Edwaard Liang works with company dancers in the studio  Edwaard Liang

Photo credit: Jennifer Zmuda

May is Asian American and Pacific Islander Heritage Month. A time to honor the culture, heritage and customs that Asian Americans bring to the community. At BalletMet we are highlighting some members of our own organization throughout the month.

Our first spotlight lands on our Artistic Director, Edwaard Liang. Edwaard was born in Taipei, raised in California and began his dance training at age five with Marin Ballet. After studying at the School of American Ballet, he joined New York City Ballet in 1993. That same year, he was a medal winner at the Prix de Lausanne International Ballet Competition and won the Mae L. Wien Award. By 1998, he was promoted to Soloist. In 2001, Mr. Liang joined the Tony Award® winning Broadway cast of Fosse. His performance in Fosse was later televised nationally on PBS’ Great Performances series – “Dance in America: From Broadway: Fosse,” and subsequently released on DVD. By 2002, Mr. Liang was invited by Jiri Kylián to become a member of the acclaimed Nederlands Dans Theater 1.

While dancing with NDT 1, Mr. Liang discovered his passion and love for choreography. Since establishing himself as a choreographer, his works have been performed by dance companies around the world and he has won numerous awards for his choreography including the 2006 National Choreographic Competition.

In 2013, Mr. Liang was named Artistic Director at BalletMet where he continues to choreograph new works for companies both domestically and abroad. In 2017, he received an Emmy® Award for his short dance film, “Vaulted.” In 2018, he created a new ballet with Roberto Bolle for the opening of the World Economic Forum Annual Meeting in Davos, Switzerland.

We asked him about Asian American and Pacific Islander month…

I’m really happy and so grateful to celebrate Asian American month and to show how powerful representation is and being able to be a visible Asian arts leader. I cannot be more grateful to Columbus to be able to see my heritage as a positive and to have BalletMet choose to hire me as the first Chinese Artistic Director of a ballet company in the United States. So, this month is absolutely a huge celebration for our community and for the organization that I belong to and for myself personally as an artist. I hope to do justice in paving the way for other Asians to be leaders and mentors and to show that it is possible.

When you were dancing full time, what was your most favorite role?

Oh…just like food, I can’t choose just one. I am such a foodie and I love a buffet because I love variety. I have lots of favorite roles. I’ll try to narrow down my favorite choreographers. To answer your question, as a dancer, as with food, I think variety is the spice of life. Some of the top ones I loved are George Balanchine…I loved dancing his works. I loved dancing and working with Jerome Robbins. I was very lucky to get to work and dance Jiri Kylián’s ballets. I loved learning Mats Ek work. Bill Forsyth is another huge hero of mine.

When did you start choreographing?

My first work was with Nederlands Dans Theater in 2002. I was kind of dared into creating a piece for a choreographic workshop and I did a pas de deux that became successful in the workshop. Somehow some producers found the video and I got my first project in NY when I moved back to NYC. Then Wendy Whelan and Peter Bull asked me to do a pas de deux for them for the Joyce and I got a review in the New York Times and it launched my career.

Where do you draw inspiration for new works?

My inspiration is always music for every ballet. I come from the house of Balanchine, Robbins and Killian and it is always music-first.

If you weren’t a dancer/choreographer, what do you think you would be doing?

I thought at one point I would go back to cosmetology school. I love cutting hair…still love to color and cut hair. I also love the idea of being a dentist….or maybe a food critic but I think critics are more about the refined food and I like them all. You know usually critics aren’t about mass amounts of food. I like all food…I get just as excited going to fine dining as I do about getting a footlong hot dog from Costco. The food scene is one of the reasons that has kept me in Columbus. There are really amazing Asian food and Asian markets here. I get to cook Chinese food here with ingredients I couldn’t find when I was in NY, I had to go to Flushing. My favorite market here is Cam. It is awesome…it has everything. It is super clean and bright, and there is so much to choose from.

Thank you Edwaard, for your creativity and your commitment to the Columbus arts community. We can’t wait to be a part of what is yet to come!